Behind the Sketch
At 1812, every design begins with a sketch based on an inspiration and exploration. Before the first sample, before the pattern maker’s hand, the vision takes shape on paper, in the journal and in our imagination. We draw out silhouettes, experiments with proportion, length, and detail, using a imagery to give context and to anchor each sketch so that the ideas are clear, communicable, consistent.
The sets up start with the thick off-white rough paper of the journal. The rough texture of paper provides resistance; and a soft pencil gives line variation. The fountain pen and ink add definition, flair and helps to define and cement a singular view amongst a variation of lines. At this stage the idea is fluid and need not be refined; what matters is clarity of the concept.
Each Collection begins with a warm-up. The sketch of a last shape, which in fashion you would call a croquis and from this base emerges only after many sheets, exaggerated, attitude-laden, expressive of the spirit of the season. The collection inspiration evolves alongside footwear silhouettes.
Early sketches remain simple. They indicate the tone of voice and expression of the lines and proportions. They rarely carry full rendering or ornamentation. Swatches accompany them: to suggest fabric weight, texture, print or solid, nap, lining. These details help pattern makers understand how to translate the flat drawing into form.
Between many sketches, edits are essential. Ten become five, five become two. Time and reflection are key to the design team to refine, debate, choose.
Post-fitting sketches record changes; the journey continues until the shoes on paper reflects what will walk down the runway.
Communication matters as much as creativity. Sketches are supported by notes, fabric swatches, conversations, visual references. Even the clearest sketch may misunderstand unless backed by words, samples, shared reference.
At its heart, design in 1812 collection is a dialogue between imagined form and realised. From sketch to prototype, every final mark, every line, every swatch speaks and is focused, intentional and deliberate.
